What changed this week
Recommended actions
Movers top 25 of 2,076 in rotation, by POP change
| # | Track | Spins | POP | Cross | Appeal | Tune-out rate |
|---|---|---|---|---|---|---|
| 1 | Slam · Back To Music | 1 +1 | 68 ▼ −12.8 | 59 | 27 | 1.79 |
| 2 | Falone · Sarah's Nights | 1 | 74 ▼ −12.4 | 71 | 38 | 1.80 |
| 3 | Mr. President · Take Me To The Limit | 5 +4 | 51 ▼ −12.3 | 42 | 31 | 0.30 |
| 4 | Whigfield · Gimme Gimme (MBRG Cut) | 2 +1 | 40 ▼ −12.1 | 25 | 22 | 1.49 |
| 5 | Flexx · Runner Up | 1 +1 | 60 ▼ −11.9 | 43 | 19 | 1.74 |
| 6 | Amber · Colour Of Love | 1 +1 | 55 ▼ −11.9 | 40 | 27 | 1.87 |
| 7 | Double You · Part Time Lover (Remix) | 1 | 73 ▼ −11.8 | 65 | 33 | 1.58 |
| 8 | Common Sense · Live It Up (Logic Radio) | 1 +1 | 66 ▼ −11.6 | 65 | 36 | 1.48 |
| 9 | Melodie MC · Climb Any Mountain | 1 +1 | 65 ▼ −11.6 | 53 | 28 | 1.50 |
| 10 | Masterboy · Is This the Love | 1 +1 | 69 ▼ −11.5 | 63 | 30 | 1.38 |
| 11 | DJ Quicksilver · Free | 2 +1 | 56 ▲ +11.4 | 49 | 42 | -1.09 |
| 12 | Magic Motion · Wonderland | 1 +1 | 56 ▼ −11.3 | 39 | 21 | 1.63 |
| 13 | Haddaway · Come Back (Love Has Got A Hold On Me) | 2 +1 | 77 ▼ −11.2 | 68 | 58 | 0.74 |
| 14 | Cardenia · Living On Video (Hyper Space-Mix) | 2 +1 | 72 ▲ +11.0 | 69 | 54 | -1.47 |
| 15 | La Bouche · Be My Lover | 2 +1 | 74 ▲ +10.9 | 72 | 60 | -1.55 |
| 16 | After Touch · She Wanna Dance | 2 +1 | 41 ▼ −10.9 | 26 | 28 | 1.16 |
| 17 | Solina · I Wanna Know | 1 | 58 ▼ −10.7 | 41 | 37 | 2.05 |
| 18 | Flash · In The Middle Of The Night | 1 | 42 ▼ −10.7 | 17 | 31 | 1.85 |
| 19 | Shannon · It's Got To Be Love | 1 +1 | 63 ▼ −10.5 | 56 | 28 | 1.25 |
| 20 | Kim Lukas · To Be You | 2 +1 | 66 ▲ +10.4 | 56 | 48 | -1.11 |
| 21 | Sash! · Adelante | 2 +1 | 63 ▼ −10.4 | 27 | 40 | 2.86 |
| 22 | Ask And Answer · Movin' On (Dub Mix) | 1 | 50 ▼ −10.4 | 32 | 24 | 1.54 |
| 23 | Brooklyn Bounce · The Theme (Of Progressive Attack) | 2 +1 | 44 ▲ +10.4 | 33 | 34 | -0.98 |
| 24 | Culture Shock · Satsify The Groove | 1 +1 | 32 ▼ −10.4 | 5 | 11 | 2.07 |
| 25 | Odyssey · Face To Face | 1 +1 | 57 ▼ −10.3 | 55 | 31 | 1.31 |
Exposure vs Appeal 60 most-played tracks
Genre performance most-played, by appeal · catalog avg 41.4
Audience average and peak online listeners
Methodology
POP is Airplay Live's 0-100 measure of how well a track holds listeners during actual broadcasts. POP change is the movement across the period. Cross (Cross POP) is the channel-comparable version; Appeal is the track's raw pull. Tune-out rate is measured against the station's ambient turnover (signed, lower is better).
Rotation (Early / Heavy / Steady / Sparse / Building) describes each track's observed airplay pattern since it entered our airplay, how long ago we first aired it and how steadily and often it plays. It is deliberately not Currents / Recurrents / Gold: those depend on a song's release and chart-peak age, which we do not track. We only know when a track entered our airplay, so we describe the pattern, not the lifecycle. It matters as context: a steady backbone track and a newcomer earn very different reads of the same POP. New adds are tracks whose first airplay falls in this period.
Song-level plays only (60 to 1140 seconds, excluding non-music and long mixes). Audience is the average and peak concurrent online listeners for the period; this is not cume. Times are shown in the station's home timezone.
Song-level plays only (60-1140s, non-showmix, non-break). Tune-out rate is mean ratio_adj (signed, lower is better). No cume: audience is average/peak concurrent online listeners.